It all worked out. Pretty much.

Jeff Bridges finally won an Oscar. “The Hurt Locker” beat “Avatar” for Best Picture. And Sandra Bullock actually made me want to see her performance in “The Blind Side.”

All in all, this year’s Academy Awards was one of the most satisfying Oscar ceremonies ever. The right people won (mostly) and the producers found interesting ways to present the less-than-star-studded categories (the video packages for the sound and short film categories were the most compelling B-roll of the night).

If only hosts Steve Martin and Alec Baldwin  had brought the funny. I can’t really blame them completely; the material they were forced to present was some of the worst second-rate awards banter on record. I couldn’t believe the live audience was giving them so many pity laughs.

Too bad opening act Neil Patrick Harris couldn’t have stuck around for the entire ceremony. He was, as always, legendary.

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Steve Martin and Alec Baldwin host the (something annual) Academy Awards at 5 p.m. Sunday on ABC. It should be a big test for the industry’s most celebrated award show. While some see the 10-nominee Best Picture race as detrimental to the Academy’s reputation as the authority on quality filmmaking, others believe the stuffed category will boost ratings for the fledgling ceremony telecast.

Those are discussions for other days. For now, let’s focus on the big night: Who will win, and perhaps more importantly, who should win. On with the predictions!

Best Picture
The most heated battle of the night comes down to mega-blockbuster “Avatar” and the low-budget war drama “The Hurt Locker.” The two films couldn’t be any more different. One is good, and the other is an overblown rip-off of “Pocahontas” with cool special effects.

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Casual moviegoers finally have a reason to watch the Academy Awards ceremony.

When the Academy of Motion Picture Arts and Sciences decided to expand its Best Picture category from five nominees to 10, many hoped it would lead to a more diverse and audience-friendly awards show. They got their wish, and it only desecrated the Oscar image a little bit.

The expanded category gives blockbusters “Avatar,” “The Blind Side,” “District 9,””Inglourious Basterds” and “Up” a chance to compete against the smaller, award-friendlier films, “An Education,” “The Hurt Locker,” “Precious,” “A Serious Man” and “Up in the Air.”

Voters should be commended for such solid choices in the first year of this 10-nominee experiment. “Up” becomes only the second animated feature to ever compete for Best Picture, and surprise nominee “District 9” proves that Academy voters are finally beginning to understand the craft of science-fiction. Yeah, yeah, “Avatar” proves that too.

The only real misfit here is “The Blind Side,” a movie with almost no Oscar precursors to its credit. Most of its buzz has circled star Sandra Bullock, who is now the likely frontrunner in the Best Actress category.

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Science-fiction isn’t all about space battles, lightsabers and really tall Smurfs. Occasionally, filmmakers can utilize futuristic settings to tell fascinating stories of personal struggle.

Such is the case with “Moon,” a haunting indie sci-fi starring Sam Rockwell as the sole astronaut working a three-year stint on a remote moon base. This is Rockwell’s show, with only small roles reserved for other humans. Kevin Spacey provides the nurturing voice of the base’s computer system.

Don’t you dare watch the theatrical trailer or read the film’s synopsis.The less known about the twists and turns in “Moon,” the better.

The essential info: Rockwell’s character is only days away from returning home to Earth. When he crashes his lunar rover on a routine assignment, he discovers something completely mind-blowing.

Directed with a sure hand by Duncan Jones, “Moon” lacks the requisite action sequences of flashier sci-fi tales, but the script remains stuffed with tension, especially as the lonely astronaut discovers the secrets of his lunar home. The terrific performance by Rockwell makes you forget he’s the only one onscreen for 90+ minutes.

Taking on nothing less than the significance of human existence, “Moon” stays with the viewer not because of revolutionary special effects, but because of thoughtful, exhilarating storytelling. Please, please, please, don’t read any else about it. Just see it.

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Everyone else can love it, but the mega-blockbuster “Avatar” is certainly NOT one of my favorite movies of 2009.

James Cameron’s science-fiction epic continues to shatter box office records, and three weeks after its worldwide release, word of mouth seems to be stronger than ever. Critics have gushed over it, and many consider it to be the front runner in this year’s expanded Best Picture race at the Academy Awards.

To all of this, I say, “Eh.”

I’m not here to bash the popular kid. I’ll give “Avatar” the credit it deserves in that it’s easily the most spectacular looking movie I’ve ever seen. The special effects are seamless, and the motion-capture animation is revolutionary and realistic. Gollum in “Lord of the Rings” is nothing compared to the subtle performance by Zoe Saldana as Na’vi warrior Neytiri.

The problem is everything else.

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